(E–pub Free) Encounters with Rauschenberg A Lavishly Illustrated Lecture
At. The 1990s Steinberg warns against the dangers of overinterpretation and iconographic nthusiasm He argues THAT THE UNIFYING STRAND THROUGH THIS the unifying strand through this artist's work his drive to appropriate to take objects and images from the world and make his own by making them
"Become A Part Of His "a part of his intelligent and beautifully articulated Steinberg's words shed light on one remarkable artist and on the post war New York art scene on Steinberg's particular appreciation of Rauschenberg and on his life's work as an art critic. In his insightful and ngrossing lecture Leo Steinberg surveys and critiues The Work Of Robert *Rauschenberg work of Robert *Rauschenberg of the great American post war artists He also discusses *one of the great American post war artists He also discusses own xperience as a critic in the xciting and turbulent art world of New York in the 1950s and 1960s The result is a rare glimpse not only into Rauschenberg but also into SteinbergWith the sharpness and confidence that can only come from a critic who has long been involved with Rauschenberg's work Steinberg offers an in depth discussion of such major pieces Re. S the Erased DeKooning Drawing Bed and Monogram He xplains the subtle differences between his interpretations and those of other critics such as Clement Greenberg and Hilton Kramer He candidly reflects on how he has changed his mind over the years and defends his new ideas about Rauschenberg's work with *Precise Fresh Arguments He *fresh arguments He valuates Rauschenberg's recent work and addresses how it falls short from the artist's arlier workFrom Rauschenberg's silk screen prints of the 1960s to the vegetable dye transfer prints of.